Students struggle to create interesting plots and characters. This story and presentation shows students how to use a celebrity they know a bit about, and choose a moment of crisis in their lives. Yes, it covers all the usual techniques we all teach: alliteration, simile, metaphor, the senses, etc. But it also pays particular attention to: Repetition Allusion Powerful Verbs Contrast. Overdoing some techniques Minimising adjective and adverb use Showing the character's state of mind. Each paragraph has 3 explicit teaching points. You get two copies of the story - one as a Word document for you to customise or read. The other, in Word, to teach each of three explicit points for each paragraph.

What This Resource Includes 15 Steps: Just tell me what to do The mark scheme Sample question Examiner’s Advice 10 ways to think about structure How to write about the structure of an ending Extract of the ending of A Christmas Carol by Charles Dickens How to work out Dickens’ purposes as a writer Sample Question Sample Answer Text based on Brighton Rock, by Graham Greene Understanding the context of historical texts Sample text: The Doll’s House, by Damon Runyon How to analyse the structure of each of the 10 paragraphs of The Doll’s House Model Answer getting 100% Model Answer rewritten to 300 words, and still getting 100% 12 things to learn from the model answer How to edit your answer to improve your writing, using far fewer words 7 techniques to reduce your word count 10 great jokes

What This Resource Includes 11 Steps: Just Tell Me What to Do Sample Question What the mark scheme says Why students should always write about complex sentences How to write great complex sentences in students’ own writing How to write about contrast and juxtaposition Model text, based on Brighton Rock 3 Further texts for practice: Little Dorrit, Oliver Twist, Household Worlds extracts Model Answer, to get 100% Model Answer which can be written in the 12 minute time limit, to get 100% 15 skills to learn from the model answer How to move on from PEE paragraphs so students can write more in fewer words, and sound like an expert 10 great jokes

AO1: The Ability to Quote and Explore Interpretations, Including Personal Response The presentation takes students through these four skills: Begin with the author’s purpose Link the author’s purpose to symbolism Refer to the characters as a construct Propose an alternative interpretation Watch my video to see how to teach it.

This story is written to model exactly what students should do to write a story that they can finish within 40 minutes, which is roughly the amount of writing time they get at GCSE. There are no published stories of around 500 words, so I have begun to write my own. Writing one on a real character takes away the fear of planning - students already know how the story starts. There are three copies of the story: 1. Without any annotation 2. With a key to the annotations which teach a range of skills many English teachers ignore: a. The Power of Verbs b. How to introduce the character in an interesting way c How to use humour, not jokes d How to build tension using contrast and juxtaposition e How dialogue must reveal character before plot f The power of repetition and rule of three, or triplets, in building a rhythm h Paragraphing for impact 3. With a key to the annotations which teach the more conventional story writing skills: a. Metaphor b. Similes c. Personification d. Alliteration e. Assonance, Half Rhyme and Hidden Alliteration Finally, you also get a completely free video on how to teach this at: http://bit.ly/WriteAboutARealCharacter The PowerPoint slides which teach this lesson, and which I use in the video are available as a separate resource.

This comprehensive analysis of all 5 questions breaks down AQA Paper 2 into a series of very clear do's and don'ts that students and teachers can easily follow. Examples accompany the advice. The PowerPoint slides are all linked to videos on my YouTube channel, Mr Salles Teaches English, so it is much easier to see how to apply the advice.

What this resource includes: 10 Steps: Just tell me what to do Sample Question 4 Student misconceptions The marks scheme explained Exam tactics Glossary of terms: 15 of them, with 3 examples of each Sample texts: The 39 Steps, by John Buchan, CHAPTER ONE, The Man Who Died Sample texts: Call of the Wild, Jack London, Chapter I. Into the Primitive 11 techniques to teach from these extracts What does the examiner really want? Model Question Model Answer Colour coded Model Answer to show how to get rid of PEE paragraphs and write like an expert The Magic Finger: the technique for finding quotations to write about 14 Skills common to questions 3 and 4

This resource has numerous examples of language features for you to teach your students how to both recognise the writer’s craft, and use them in their own writing. Here is a sample: Juxtaposition: two things that are put close together in order to emphasise the difference between them. • “Give us a pound, mister,” said the beggar, scrolling through the internet on his phone. • The mother, tortured with pain, now smiled beatifically, while the baby, newly released, screamed incessantly. • While the battle raged, the generals sat behind the front lines, drinking beers and stuffing three course meals. Repetition: repeating a word, phrase, or idea. This can be done to emphasise, to create a rhythm or tone, or to reveal a contrast or comparison. Register: In linguistics, a register is a variety of a language used for a particular purpose or in a particular setting. What words give this the register of colloquial, American teenage language? “(Candace runs out to the backyard, she stares in shock upon seeing the rollercoaster, along with horror music) Candace: Phineas, what is this?! Phineas: Do you like it? Candace: Ooh, I’m gonna tell Mom, and when she sees what you’re doing, you are going down. (runs off) Down! Down! Down! D-O-W-N, down!” Which words deal with the idea of writing a novel? “In my mind, I continually entertain myself with fragments of narrative, dialogue and plot twists but as soon as I’m in front of a blank page, they evaporate. I feel stuck. Sometimes I think I should give up, but I have convinced myself that if I can find a way to write more freely and suppress my inner critic, I could finally finish that first draft.”

16 pages of incredible detail made relevant to the play. Obviously, socialism and capitalism are defined. But it includes some amazing parallels between the 1940s and the present day, where the figures for the richest and poorest in society are nearly identical. Explore the extraordinary similarity between the Inspector’s words, and those of the Labour party manifesto of 1945. See how the great unrest, including strikes and killing of workers influened Priestley and his play. Discover the literary tradition Priestley’s play was responding to, and the impulse not to write about WW1. Find out why Priestley chose the cotton mills as his manufacturing business, and why this was so important in 1945. All these facts are explicitly matched to the play, so students can see how to use them in their essays.

AQA likes to test the novel by asking students to compare Pip to another character. This is my top tip for 2018. Students often struggle to find interesting comparisons and fail to write about Dickens’ purpose. This resource introduces four big ideas which will allow your students to write confidently about Dickens’ purpose. It also provides 20 ideas and 20 quotations for them to use in their essay. Most quotations, as you can see, are detailed, so that you can give your students practice in selecting judiciously, and so that they learn to embed quotations in their sentences. Below is a sample of the first 4 ideas:

What does the examiner’s report teach us about getting top grades when answering questions on Macbeth? Show students how to consider alternative interpretations. How themes and characters develop over time in the play. How to link context to each interpretation, so that it scores highly, and doesn’t just get added in as an irrelevant paragraph. How to come up with interpretations which go beyond what most students will write. The danger of getting subject terminology, and why naming words as parts of speech is likely to lead to lower grades, and will probably preclude a grade 8 or 9. Consider how Macbeth might actually have a deep love for his wife. Or how Macduff deliberately sacrifices his family. Or how Banquo needs Macbeth to become a tyrant king in order to fulfil the prophecy of Fleance’s kingship Or how the supernatural element might not just pander to King James, but actually undermine his belief in the power of witchcraft. The attached video will also teach you this in much more depth, so that you can share it with your students.

Dickens is a master of his craft, but by God, you can tell he was paid by the word, can’t you? Never was a man so in love with a sentence, loaded with clauses, garnished with phrases and then, to add to the confusion, the main clause tagged on at the end. What 16 year old wouldn’t struggle? I’ve abridged this great novel down to 20,000 words, from 27,000. That’s a quarter less time to read it, and a quarter more time to teach the content. Better than that, it actually makes for a more entertaining read. The conversation feels much more natural, and has some real pace. You can easily have your students taking parts. And of course, none of the essential quotations are left out! Here is a sample:

This presentation will help you teach the poet’s tone and point of view. It outlines the historical context and the political nature of the poem. It helps you teach the allusions to Macbeth, Ozymandias, Hamlet, and Dulce et Decorum Est, as well as looking at the imagery. Finally, it helps you analyse the poem’s structure and link this to Armitage’s purpose. The accompanying video gives you an indepth instruction on how to link your teaching to the slides.

What if you could teach your students 3 key skills which would make their essays worth grades 7-9? What if you could show your students 7 mistakes students make, which reduce their marks? And then, what would happen if your students learned to correct those mistakes? Then they would get grades 7, 8 and 9. A poll of over 600 students on my YouTube channel shows that 79% of students think my resources earned them at least one extra grade, and 38% think that they went up by at least two grades. You can find the video which teaches this presentation on Mr Salles Teaches English so that your students can also dramatically improve their grade.

How do you get a student who is packing their description and narrative with too many adjectives and adverbs to pick them carefully. How do you help them choose when to speed action up, and when to slow it down? Sometimes this feels as though we have to get them to unlearn what we have taught them! It’s hard. But this lesson will help you do that quickly, and in a way your students will understand. A video goes with it, so you can see how I teach it. You also get a copy of the all the writing in Word, so it is easy to edit and print off. It gives the original version, and then the improved version. Also included is the rest of the story, which you an get your students to edit and rewrite in response to your teaching.

This resource is so comprehensive, that it also explains the whole of the play. Because the Inspector deals with every character, the whole play is covered. Because he is the proxy for Priestley’s viewpoint, every possible exam question can be answered simply by knowing this resource. Can your students do without it? Try a flavour of it in this extract:

All the themes of Jekyll and Hyde, with precise quotations to teach them. A 42 minute video showing you what to teach if you want it. Great to set for homework. A beautifully presented PowerPoint which you can teach from or print off as revision cards for your class. As always, the presentation links to my videos on Mr Salles Teaches English, so you can get even more tips on how to teach from it. Includes themes of women and femininity, duality, hypocrisy, repression, violence, duality, friendship, appearances, the house as a metaphor, science and evolution, and Christianity, curiosity, drug taking…